{"id":1637,"date":"2023-10-14T14:35:26","date_gmt":"2023-10-14T11:35:26","guid":{"rendered":"https:\/\/habermarmaratv.com\/index.php\/2023\/10\/14\/summart-sanat-merkezinde-sanayiden-manzaralar-sergisi-sergi\/"},"modified":"2023-10-14T14:35:26","modified_gmt":"2023-10-14T11:35:26","slug":"summart-sanat-merkezinde-sanayiden-manzaralar-sergisi-sergi","status":"publish","type":"post","link":"https:\/\/habermarmaratv.com\/index.php\/2023\/10\/14\/summart-sanat-merkezinde-sanayiden-manzaralar-sergisi-sergi\/","title":{"rendered":"Summart Sanat Merkezi\u2019nde Sanayi\u2019den Manzaralar sergisi – Sergi"},"content":{"rendered":"
\n

\u00d6m\u00fcr Bayramo\u011flu yazd\u0131<\/strong><\/span><\/p>\n

Sanayi\u2019den Manzaralar Sergisi, nazl\u0131 pekta\u015f <\/a>k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde at\u00f6lyeleri bu b\u00f6lgede yer alan sanat\u00e7\u0131lardan Mahmut Ayd\u0131n, Can Aytekin, Mahmut Celayir, Antonio Cosentino, Ahmet Elhan, Leyla Emadi, \u0130nci Furni, Aynur \u00d6n\u00fcrmen, \u0130rfan \u00d6n\u00fcrmen, Kemal Seyhan R\u00fc\u00e7han \u015eahino\u011flu ve Demet Yal\u00e7\u0131nkaya\u2019n\u0131n serginin kavramsal \u00e7er\u00e7evesine uygun olarak \u00fcretilmi\u015f eserlerini kapsayan bir se\u00e7ki.<\/span><\/span><\/span><\/p>\n

\"\"<\/span><\/span><\/span><\/p>\n

Seyrantepe Sanayi Mahallesi, \u0130stanbul\u2019da ya\u015fayan ve \u00fcreten sanat\u00e7\u0131lar\u0131n at\u00f6lyeleri i\u00e7in farkl\u0131 nedenlerle se\u00e7tikleri bir b\u00f6lge. Sergitamamen Seyrantepe Sanayi Mahallesi\u2019nde at\u00f6lyesi olan sanat\u00e7\u0131lardan ilham al\u0131yor ve ba\u015flang\u0131\u00e7- olu\u015fum- \u00fcretim amac\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcnce Summart\u2019\u0131nbu b\u00f6lgedeki varl\u0131\u011f\u0131 da serginin anlam\u0131na anlam kat\u0131yor.<\/span><\/span><\/span><\/p>\n

Sergisinin \u00e7\u0131k\u0131\u015f noktas\u0131 Nazl\u0131 Pekta\u015f\u2019\u0131n, Ahmet Elhan ve R\u00fc\u00e7han \u015eahino\u011flu\u2019nun daveti ile Seyrantepe Sanayi\u2019deki at\u00f6lyelerine gitmesi olur. Pekta\u015f, at\u00f6lyeye girdi\u011fi o anda \u201cburada \u00fcretilen i\u015flerle bir sergi <\/a>yapmal\u0131y\u0131z\u201d der, s\u0131ca\u011f\u0131 s\u0131ca\u011f\u0131na d\u00fc\u015f\u00fcncesini sanat\u00e7\u0131 dostlar\u0131 ile payla\u015f\u0131r. B\u00f6ylece ilham\u0131n\u0131, at\u00f6lyeleri sanayi b\u00f6lgesinde yer alan sanat\u00e7\u0131lardan alan serginin temeli at\u0131lm\u0131\u015f olur.Serginin merkezine ald\u0131\u011f\u0131 konular, sanat\u00e7\u0131lar ve Summart\u2019\u0131n sanayi b\u00f6lgesinin i\u00e7inde bir galeri olarak varl\u0131\u011f\u0131 ile birle\u015fince Sanayi\u2019den ManzaralarSergisi zorunlu olmad\u0131k\u00e7a gitmedi\u011fimiz bir yeri sanatseverlere izlemeye \u00e7a\u011f\u0131r\u0131yor.<\/span><\/span><\/span><\/p>\n

\"\"<\/span><\/span><\/span><\/p>\n

Nazl\u0131 Pekta\u015f\u2019\u0131n \u201cburada manzara benim metaforumdur\u201d dedi\u011fi \u201cmanzara\u201d, sergideki i\u015flerde hem kendisini olarak varl\u0131k g\u00f6sterirken hem de g\u00fc\u00e7l\u00fc bir metafor olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor.Seyrantepe Sanayi Sitesi\u2019nde at\u00f6lyesi olan on iki sanat\u00e7\u0131n\u0131n at\u00f6lyelerinin pencerelerinden, sokaklar\u0131ndan, sokak isimlerinden, kap\u0131lar\u0131n\u0131n \u00f6n\u00fcnden, \u00e7al\u0131\u015fan i\u015f\u00e7ilerden, etraflar\u0131ndaki mukavva, ka\u011f\u0131t depolar\u0131ndan, at\u0131k malzemelerden, farkl\u0131 mekanlardan, \u00e7ocuk i\u015f\u00e7ilerden etkilenerek \u00fcrettikleri i\u015flerle \u201cSanayi\u2019den Manzaralar\u201d sergisi izleyiciye sanat\u00e7\u0131n\u0131n ya\u015fad\u0131\u011f\u0131, \u00fcretti\u011fi yerin eserlerine etkisi \u00fczerine \u00e7ok \u00f6nemli bir se\u00e7ki sunuyor.<\/span><\/span><\/span><\/p>\n

\"\"<\/span><\/span><\/span><\/p>\n

Yine Pekta\u015f\u2019\u0131n\u201cSanat\u00e7\u0131lar\u0131n sanayi b\u00f6lgesinin sokaklar\u0131ndan, derinlerinden, duvarlar\u0131ndan, kokusundan, sesinden, ba\u011f\u0131rsaklar\u0131ndan, g\u00f6ky\u00fcz\u00fcnden, saklad\u0131klar\u0131ndan \/ g\u00f6sterdiklerinden, biriktirdiklerinden \/ p\u00fcsk\u00fcrtt\u00fcklerinden ve i\u00e7inden \/ d\u0131\u015f\u0131ndan, kendilerinde kalan\u0131 g\u00f6sterdikleri bir sergidir\u201d \u015feklinde yorumlad\u0131\u011f\u0131 Sanayi\u2019den Manzaralar i\u00e7in \u00fcretilen i\u015flerin pek \u00e7o\u011fu sanat\u00e7\u0131lar\u0131n at\u00f6lyelerinin bulundu\u011fu yere ve oradaki \u00fcretime, biriktirme\/saklama ve atmaya odaklan\u0131rken baz\u0131lar\u0131 da at\u00f6lyenin kendisine\/i\u00e7ine odaklan\u0131yor.<\/span><\/span><\/span><\/p>\n

Sergi kapsamda Mahmut Ayd\u0131n, oluklu mukavvan\u0131n s\u0131radanl\u0131\u011f\u0131n\u0131\u201d \u0130zler\u201dadl\u0131 heykeline dahil ediyor. Can Aytekin \u201cSaks\u0131lar\u201d enstalasyonunda renkli perforje saks\u0131lar\u0131 kullanarak malzemenin tarih i\u00e7indeki d\u00f6n\u00fc\u015f\u00fcm\u00fcne \u00f6neri getiriyor. Demet Yal\u00e7\u0131nkaya \u201cYerli Yerinde\u201d isimli resmi ile depoya i\u015faret diyor. Buras\u0131 sanayi at\u0131klar\u0131n\u0131n toplan\u0131p ba\u015fka bir \u015feye d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesi ve yeni ekonomi yaratmas\u0131 i\u00e7in olu\u015fturulmu\u015f bu yer. Toplanan her \u015fey burada saklan\u0131yor. Ayn\u0131 at\u00f6lyeyi payla\u015fan Mahmut Celayir\u2019de \u201cToplay\u0131c\u0131lar\u201d adl\u0131 eserinde de manzara ile ba\u011f\u0131n\u0131 co\u011frafya ile olan derdine ba\u011fl\u0131yor. Antonio Cosentino foto\u011fraf, resim ve k\u00fc\u00e7\u00fck heykelleriyle ola\u011fan, g\u00fcnl\u00fck, samimi i\u00e7ine s\u0131zan mahalleyi yans\u0131tm\u0131\u015f.Ahmet Elhan\u2019\u0131n \u201dNe i\u00e7inde, ne b\u00fcsb\u00fct\u00fcn d\u0131\u015f\u0131nda\u201d isimli mekan yerle\u015ftirmesi asl\u0131nda at\u00f6lyesinin penceresinden \u00e7ekilmi\u015f foto\u011fraf. Leyla Emadi, \u201cRAN\u0130STAN!\u201dyaz\u0131s\u0131yla kentinbelleksizle\u015ftirme sebebini duvara yazm\u0131\u015f. \u0130nci Furuni \u201cY\u0131ld\u0131z Sokak\u201dadl\u0131 eserinde sanayide at\u00f6lyesinin bulundu\u011fu bir soka\u011f\u0131 ad\u0131 olmas\u0131n\u0131n d\u0131\u015f\u0131nda, in\u015faat alanlar\u0131nda s\u0131k\u00e7a kar\u015f\u0131m\u0131za \u00e7\u0131kan trapez sa\u00e7tan yap\u0131lm\u0131\u015fb\u00f6len, engelleyen malzemeyi kullanarak g\u00f6nderme yapm\u0131\u015f. Aynur \u00d6n\u00fcrmen heykelleri sanayideki at\u0131k s\u00fcngerlerden olu\u015fuyor.\u00a0 \u0130rfan \u00d6n\u00fcrmen \u201c\u00c7\u0131rak\u201d isimli yerle\u015ftirmesi ile \u00e7ocuk i\u015f\u00e7i ve emek s\u00f6m\u00fcr\u00fcs\u00fcn\u00fc buluntu nesneler e\u015fli\u011finde veriyor. Kemal Seyhan\u2019\u0131n yap\u0131tlar\u0131ndan olu\u015fan\u201cDallas\u201d isimli duvarda sanayide birikmi\u015f y\u0131\u011f\u0131lm\u0131\u015f, toplanm\u0131\u015f buluntulara kendi eserleri e\u015flik ediyor. R\u00fc\u00e7han Sar\u0131o\u011flu \u201cD\u0131\u015far\u0131da\u201d isimli resimleri adresini bilmedi\u011fimiz, tan\u0131d\u0131k ama yabanc\u0131 yerler.<\/span><\/span><\/span><\/p>\n

\"\"<\/span><\/span><\/span><\/p>\n

Nazl\u0131 Pekta\u015f k\u00fcrat\u00f6rl\u00fc\u011f\u00fcndeki \u201cSanayiden Manzaralar\u201d sanat\u00e7\u0131lar\u0131n sanayi b\u00f6lgesini \u00fcretim yeri olarak se\u00e7me sebebinden ba\u015flayarak, b\u00f6lgenin tarihine, bug\u00fcn\u00fcne, i\u00e7inde ya\u015fayan, \u00e7al\u0131\u015fan, emek veren t\u00fcm sanayi b\u00f6lgesi manzaralar\u0131na \u0131\u015f\u0131k tutuyor.5 Ekim – 30 Kas\u0131m 2023 tarihleri aras\u0131nda Summart\u2019ta ziyaret edilebilir.<\/span><\/span><\/span><\/p>\n

*Sanayiden Manzaralar sergi katalo\u011fu kaynak olarak kullan\u0131lm\u0131\u015ft\u0131r.<\/span><\/span><\/span><\/p>\n

\u00a0<\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

\u00d6m\u00fcr Bayramo\u011flu yazd\u0131 Sanayi\u2019den Manzaralar Sergisi, nazl\u0131 pekta\u015f k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde at\u00f6lyeleri bu b\u00f6lgede yer alan sanat\u00e7\u0131lardan Mahmut Ayd\u0131n, Can Aytekin, Mahmut Celayir, Antonio Cosentino, Ahmet Elhan, Leyla Emadi, \u0130nci Furni, Aynur \u00d6n\u00fcrmen, \u0130rfan \u00d6n\u00fcrmen, Kemal Seyhan R\u00fc\u00e7han \u015eahino\u011flu ve Demet Yal\u00e7\u0131nkaya\u2019n\u0131n serginin kavramsal \u00e7er\u00e7evesine uygun olarak \u00fcretilmi\u015f eserlerini kapsayan bir se\u00e7ki. Seyrantepe Sanayi Mahallesi, \u0130stanbul\u2019da ya\u015fayan […]<\/p>\n","protected":false},"author":1,"featured_media":1638,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-1637","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-trsektor"],"_links":{"self":[{"href":"https:\/\/habermarmaratv.com\/index.php\/wp-json\/wp\/v2\/posts\/1637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/habermarmaratv.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/habermarmaratv.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/habermarmaratv.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/habermarmaratv.com\/index.php\/wp-json\/wp\/v2\/comments?post=1637"}],"version-history":[{"count":0,"href":"https:\/\/habermarmaratv.com\/index.php\/wp-json\/wp\/v2\/posts\/1637\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/habermarmaratv.com\/index.php\/wp-json\/wp\/v2\/media\/1638"}],"wp:attachment":[{"href":"https:\/\/habermarmaratv.com\/index.php\/wp-json\/wp\/v2\/media?parent=1637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/habermarmaratv.com\/index.php\/wp-json\/wp\/v2\/categories?post=1637"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/habermarmaratv.com\/index.php\/wp-json\/wp\/v2\/tags?post=1637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}